The Fireface 802 was created to renew the Fireface 800 without affecting the characteristics that have made this interface a product of global success, integrating the features introduced by the cutting-edge interfaces developed by the German brand in the last 10 years.
As with the original unit, the heart of the Fireface 802 is its own 4 Pre analog microphones with manual gain setting capable of guaranteeing excellent transparency and very high quality level in the preamplification phase. The four inputs on the front panel use combo connectors with XLR/TRS balanced and can also operate as high impedance inputs Hi-Z for direct recording of guitars or other instruments.
The Fireface 802 has a new, more modern design than the fire face 800, on the front panel there are always the same elements with the exception of the double headphone output (no longer single). Inside, however, practically everything has changed, from the converters AD/DA of the latest generation with a better SNR, in the presence of 2 additional analog input and output channels up to the support forAdvanced Remote Control, just to name a few. Support for the protocol FireWire 800 it was discontinued in favor of the USB 2 protocol, also because there were no particular advantages over the protocol FireWire 400 which is always implemented. Of course, support for the TotalMix FX (as for UCX e UFX) and for the Class Compliant mode. The Fireface 802 can then be controlled by iPad thanks to the application TotalMix FX by RME. In total the Fireface 802 is capable of handling up to 60 channels with minimal latency via USB or FireWire and the renowned stability of RME drivers.
The sampling rate supported by the converters is 192kHz and reaches a dynamic range of 118 dBA during playback.
The Fireface UFX offers the new TotalMix FX. The mixer has been completely redesigned from the ground up and offers almost unlimited routing possibilities: the input channels can be freely grouped into different submixes and sent to the output channels. But the power doesn't just come in routing: TotalMix FX lets you insert EQ, dynamics processors e reverberation/Eco on all input and output channels up to 192 kHz. The new Control Room section adds to the routing flexibility a series of advanced monitoring functions that greatly simplify work in the studio. The functions of TotalMix FX can be controlled via Advanced Remote Control or by using any MIDI controller that supports the protocol Mackie Control.
The extraordinary quality of the RME drivers guarantees ultra-low latencies and industry-leading reliability even in the most complex audio applications; in addition the board can boast the system SteadyClock for the active suppression of the jitter, professional level monitoring, stand-alone operation, the unique DIGICheck analysis and metering tool and of course support for platforms PC e Mac.
Key Features:
30 Input / 30 Output
12 x Analog I/O
4 x Mic / Instrument Preamp, classic technology
1 x AES/EBU I/O
2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical)
1 x Word Clock I/O
1 x MIDI I/O
FireWire and USB
TotalMix FX
USEFUL INFORMATION
Producer: Rme
Model: fire face 802
Website: www.rme-audio.de
Italian distributor: www.midiware.com
Cost: Euro 1250,00 + VAT
See you next news from Frankfurt
Antonio CampegliaThe Fireface 802 renews RME's reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the basis for many more features.
Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME's unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.
TotalMix FX, RME's digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller.
The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.
The Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.
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Inputs and Outputs
The Fireface 802 provides 60 channels of audio: 30 input and 30 output channels.
All inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 tracks separately.
Analog I/O
The Fireface 802 has 12 analog I/Os.
12 Inputs. 8 balanced TRS on the back and 4 XLR inputs with Mic/Instrument preamps on the front.
12 Outputs. On the rear: 8 balanced TRS. On the front: Two hi-power TRS stereo phones outputs provide high volumes even with hi-impedance headphones (playback channels 9/10 and 11/12).
Sound Quality. Like other RME products before the Fireface 802 combines excellent analog circuit design with latest digital conversion technology. All balanced TRS & XLR I/Os as well as the two phones outputs offer outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don't produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.
Equipped with the latest A/D and D/A converter chips, all I/Os operate at up to 192 kHz and reach 118 dBA dynamic range on playback – even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used.
Due to its efficient jitter reduction, RME's superior SteadyClock guarantees state-of-the-art AD/DA conversion, even when clocking to an external clock source.
Every input and output is individually switchable to these common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale).
All outputs can be used for ASIO Direct Monitoring (ADM) purposes.
Preamps. for Microphones and Instruments with Low Latency Conversion. The 802 has four high-transparency preamps with four low latency converters.
Microphone and instrument preamps of the 802 use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.
The pot-controlled gain of up to 60 dB, adjustable over a range of 54 dB, is individually set for every preamp on the front of the 802.
The four inputs on the front use balanced XLR/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments – no other hardware required.
Each channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.
The Fireface 802 follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I/Os on the rear.
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Digital I / O
AES/EBU: The Fireface 802 has one professional AES/EBU I/O operating at up to 192 kHz.
ADAT: Two 8-channel ADAT I/Os allow for a connection of two additional AD/DA converters or the insertion of effects devices and mixing consoles. Both I/Os support sample rates at up to 192 kHz (S/MUX4). Like AES/EBU, these 16 ADAT channels are available simultaneously with the analog channels. Using two external converters like the ADI-8 QS, the 802 will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.
SPDIF: The second ADAT I/O can be used as optical SPDIF I/O, making the UFX connections even more flexible.
Word Clock & MIDI: A word clock input and output (BNC) with switchable termination and a MIDI I/O complete the list of connections, turning the Fireface 802 into a professional audio system with universal usability.
TotalMix FX
The DSP based TotalMix mixer allows fully independent routing and mixing of all 30 inputs and 30 playback channels to all 30 physical outputs. Up to 15 totally independent stereo submixes plus a luxury Control Room section offer unrivaled monitoring capabilities and unsurpassed routing flexibility.
Every input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by a stereo send and return bus. The Fireface 802 offers all these effects in all sample rates, including 192 kHz.
The two DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels (90) at all sample rates, completely unlimited. The second DSP calculates the effects only, therefore has sufficient resources. For example, at 48 kHz 60 EQs, 40 Low Cuts, 8 Dynamics, Reverb and Echo can be activated.
The FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the 802 automatically deactivates all effects that exceed the DSP's performance – the DSP will never be overloaded. This also prevents the user from destroyed loudspeakers.
The complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, eg to create different latency-free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording chamber.
