We grew up to the sound of classical Neapolitan music. We like to listen to it, even when its “classicism” takes on another nuance. Curious and also quite intrigued by the title, along with my friend Fabio Pesce we have discovered, through the Giosi Cincotti project, another way of revisiting the classic Neapolitan refrains.
“NEAPOLIS IN FABULA” is the cd of the “usual” Neapolitan song which, however, you don't expect and surprises you. A path between jazz, dreams and tradition that borders naturally and nonchalantly among the notes of enchanted fables that redesign the contours and meanings of ancient stories. The cover is essential, without too many frills and opening the package the CD looks like an old vinyl, which gives it the appearance of a 45 rpm of the past, as if to underline the elusive intertwining of past and present. The cd opens with a compilation that immediately clarifies part of the musical intentions: "Uocchie you will reach us" (Falcone, Fieni and Falvo, 1904), "'O marenariello" (Ottaviano-Gambardella, 1893), "Marenara song" (Donizetti, 1835), "Luna nova" (By Giacomo-Costa, 1887). The arrangement starts with an acoustic piano, it looks like a Yamaha C3 baby grand piano, slightly dull in sound. After a few bars the voice enters with a double bass, excellent balance between them and a beautiful voice immersed in the music. Pleasantly surprising this medley is not overly jazzy or trivially already heard. To underline the female voice, well taken up in the song, never plays the leading role, it also lets the other alternating instruments breathe, always having the piano as the main protagonist, the leitmotif for the whole medley. The second piece is intriguing, different from the versions we've been used to hearing: "'And frangese pushers" (Di Giacomo-De Leva - 1888) has a jazz that slips into the theme song of the Simpsons and then ends up in a bluesy rhythm. From here you enter the spirit of the cd, the musicality becomes enveloping. Thus "'a Vucchella" by D'Annunzio-Tosti (1892) is embodied in that of Snow White waiting for her prince with "Dreams are desires" ("Someday my Prince will come" a piece already loaned to jazz by Miles Davis for name one) to then become "When you wish upon a star" ("A star falls", part of the soundtrack of Disney's Pinocchio) in "Reginella" (Bovio - Lama - 1904), this time in a story with a less happy ending . But the contamination traced by Giosi Cincotti - to whom the project and arrangements are due - never ceases to amaze with "A Canzone appassiunata" (EA Mario - 1922) which is intertwined with a Piazzolla tango, "Maddalena" (Carlo Faiello) which becomes a jazz - the only piece taken from the recent past - and "Michelemmà" that flows into a Middle Eastern melody following the text of the unknown author ("Li turche se nce go to reposare ..."). A bit of a break with the magic that pervades the work is “La Pizzica a Santu Paulo”, where a very original and engaging combination of tarantella and jazz is created.
It is peculiar that a milestone like "Voice 'and night" (Nicolardi-De Curtis) is left intact, as if to underline a sort of untouchability. The last song, "Reginella", it is among the most surprising thanks to the symbiosis created between the voice and the piano. Neither prevails over the other. The arrangement is simple and the breaks are also pleasant, embellishing the before and after. "Music is sensation", says in his presentation of the disc Giobbe Covatta and at the end of listening we fully shared his statement. The cd has a not inconsiderable theatrical experience behind it and you can hear it! The result is a musical writing that goes beyond the studio recording, a music that blends art, poetry and magic in a multimedia idea that seems to hold tight in the laser engraved support. Giosi Cincotti has wisely edited music and arrangements, while the theatrical elaboration is by Marcello D'Orta (writer author of “I hope that I get along”, “God created us for free” and many others). The voice of Mena Cacciapuoti, in a clean Neapolitan that at times is colored with warm ethnic inflections, does not force limits. The natural way in which the musicians communicate with each other leads to the creation of a sound product in which they emerge as a group and not as soloists: Marco De Tilla - double bass, Michele Maione - percussion, Giosi Cincotti - piano, Marzouk Mejri and Emidio Ausiello - percussion, Pericle Odierna- fiati, Enzo Grimaldi - accordion. For the recordings we noticed that some good outboards were used. The choice of environments for the voice is commendable, not exasperated by reverb and delay, as unfortunately often happens in the recording of Neapolitan music.
The board
NEAPOLISYNFABULA
Editions: Graf
http://www.myspace.com/neapolisinfabula
Tracklist:
1. Medley: you have reached us (Falcone Fieni - Falvo)
'o Marenariello (Ottaviano - Gambardella)
song Marenara (Donizetti) Luna nova (Di Giacomo - Costa)
2. 'And frangese pushers (Di Giacomo - De Leva)
3. Passionate song (EA Mario)
4. Voice 'and night (Nicolardi - De Curtis)
5. Magdalene (Carlo Faiello)
6. Michelemmà (revised Giosi Cincotti)
7. 'A Vucchella (D'Annunzio - Tosti)
8. Pinch to Santu Paulo (revised Giosi Cincotti)
9. Reginella (Bovio - Lama)
You can order the NEAPOLIS IN FABULA cd directly at this link
http://www.edizionigraf.it/schedaneapolisinfabula.htm
We grew up to the sound of classical Neapolitan music. We enjoy it also when its “classical” inclination takes on a different tone. Curious and intrigued by the title, my friend Fabio Pesce and I discovered, through Giosi Cincotti's project, a new way of revisiting the classical Neapolitan tunes.
NEAPOLIS IN FABULA is a compilation of the “usual” Neapolitan music, which you don't expect and which surprises. A journey through jazz, imaginary, and tradition which very naturally overflows into the fairytales that redefine the form and meaning of ancient stories. The cover is essential, with no frills, and opening the package the CD reminds you of an old vinyl record, which looks like an outdated 45rpm, as to emphasize the elusive link between past and present. The cd opens with a medley which immediately reveals part of its musical intention: “Uocchie c'arraggiunate” (Falcone, Fieni e Falvo, 1904), "'O marenariello" (Ottaviano-Gambardella, 1893), "Marenara song" (Donizetti, 1835), "Luna nova" (Di Giacomo-Costa, 1887). The arrangement begins with an acoustic piano, it sounds like a baby grand Yamaha C3, its sound slightly dull. After just a few lines double bass and voice enter, with a very good balance, the lovely voice, absorbed as it is in the music. This medley pleasantly surprises in not being overly jazzy nor trite. Remarkable the female voice, it blends well in the piece, never leading, but allowing the other instruments to alternate; the piano, always starring, is the lead line of the whole medley. The second piece is intriguing, very different from what we are used to hearing, "'And frangese pushers" (Di Giacomo-De Leva – 1888) has a jazz to it that slips into “The Simpsons” theme, and ends in a blues rhythm. Through this we enter into the spirit of the cd, the sound becomes enveloping. And I know “At Vucchella” (D'Annunzio-Tosti 1892) (“The Lips”) become those of Snow White waiting for her Prince Charming with “Someday my prince will come” (a piece already bestowed to Miles Davis' jazz) and then, with “Little Queen”, turns into “When you wish upon a star” (from Disney's Pinocchio), this time with a somewhat less happy ending. But the fusion sketched out by Giosi Cincotti (his are the musical arrangement and project) continues to amaze with “A Passionate Song” (EA Mario – 1922) that weaves in with a Piazzolla tango, “Maddalena” (the only most recent piece) which becomes jazz, and “Michelemmà” that flows into a middle-eastern sound following the lyrics of the unknown author “the turks go to get some rest”. A turning point in the magic that permeates the whole work is è “The Pizzica in Santu Paulo”, an extremely original and involving fusion of tarantella and jazz.
It is peculiar that a milestone such as "Voice 'and night" (Nicolardi-De Curtis) remains intact, as to emphasize its status of “untouchable”. The last piece, “Little Queen”, is among the most surprising because of the exquisite blending of voice and piano: neither prevails; the arrangement is simple and the pauses pleasantly enhance the before and after. “Music is feeling” says Giobbe Covatta in his presentation of the CD, and after listening to it we totally agree. The whole CD is supported by an outstanding theatrical experience, and the result is a score that goes beyond a studio recording, a sound that blends art, poetry and magic in a multimedia concept that seems to be restrained by the recording on CD. Giosi Cincotti very skilfully revised music and arrangements, while the theatrical piece was supervised by Marcello d'Orta (writer, author of “Io Spera che la Cava”, “Dio Ci Ha Create Gratis” and many others). Mena Cacciapuoti's voice, in her clear and clean Neapolitan dialect, which at moments takes on warm ethnic inflections, never overrides the limits. The easy way in which the musicians interact originates a work that enhances them as a group and not as solos: Marco DeTilla – double bass, Michael Maione – percussions, Giosi Cincotti – piano, Marzouk Mejri and Emidio Ausiello – percussions, Pericles Today– winds, Enzo Grimaldi – accordion. We noticed that good outboards were used. Commendable the choice of the ambient voice, free from echoes and delays, as unfortunately often happens in the recording of Neapolitan music.
Identikit:
NEAPOLIS IN FABULA
Label: Graf
http://www.myspace.com/neapolisinfabula
Tracklist:
1. Medley: you have reached us (Falcone Fieni - Falvo)
'o Marenariello (Ottaviano - Gambardella)
song Marenara (Donizetti) Luna nova (Di Giacomo - Costa)
2. 'And frangese pushers (Di Giacomo - De Leva)
3. Passionate song (EA Mario)
4. Voice 'and night (Nicolardi - De Curtis)
5. Magdalene (Carlo Faiello)
6. Michelemmà (revised Giosi Cincotti)
7. 'A Vucchella (D'Annunzio - Tosti)
8. Pinch to Santu Paulo (revised Giosi Cincotti)
9Reginella (Bovio – Lama)
You can order the CD of Neapolis in FABULA directly to this link:
http://www.edizionigraf.it/schedaneapolisinfabula.htm
Italian to English translation: Humbert of the Judge
Am crescut insoțițI de sunetul classical Neapolitan music. No need to listen, clarify șthe others când “classicism” are high nuanțand Curioși, give și oarecum intriguesțI din cauza titlului, împreuna cu prietenul meu Fabio Pesce am decoperit, prin intermediul projectului Giosi Cincotti, another modality of a reintrerpreta (revizita) classic Neapolitan refrene.
“NEAPOLISINFABULA” is a CD with eternal Neapolitan songs, which you will never wait for and will surprise you. This is a very simple itinerary for jazz lovers, as you can see if you are outside the natural limit. nonșalanței The musical notelor of a magical poor person cares about detailing and symbolizing the goodness of the people.
CD cover this is simple, you'll want to pay attention to the flowers, if you want to discover a compact disc, you'll want to know about the “package” of the vremuri, so if you're looking for a three-dimensional idea, you'll want to know if it's complete.
The album begins with the compilation that is explained immediately with its musical content: “Uocchie c'arraggiunate” (Falcone, Fieni e Falvo, 1904), “O marenariello” (Ottaviano-Gambardella, 1893), “Canzone marenara” (Donizetti, 1835), “Luna nova” (Di Giacomo-Costa, 1887). The musical set debuted with a classical piano, resembling a Yamaha C3, with a unique sound. When you play chords with a contrabass, you can achieve a perfect echo between the instruments and the smooth voice will be protected in music. Surprising in the way you can cut this medley, you will exaggerate the jazz and make it simpler than usual. This important subliniat features a feminine voice, which is introduced into the interior of the musical melody, or the dear voice is the protagonist, where the space and the other instruments alternate, before the soloist slowly transforms into the first logic of the intermingling medley.
These two melodies are intriguing, with a different variation for which they can also be heard: “E spingole fringese” (Di Giacomo-De Leva – 1888) are jazz chords. In the beginning, the acestea didn't listen to the melody when it was animated TheSimpsons, When the final arrives it turns into blues. Now that this moment is in order to get into the atmosphere of this CD, the music will help you sew it.
Astfel, “a Vucchella” by D'Annunzio-Tosti (1892) became known today Snow White, I'll start by listening to the first song "Some Day My Prince Will Come"" (or melodies interpreted in that jazz by Miles Davis), then comes “When you wish upon a star” (part of the soundtrack to the Disney animated film, Pinocchio) and further in “Reginella” (Bovio – Lama – 1904), I hate whether or not you have this ending with a never-ending ending.
Contaminating the style and inspiration of Giosi Cincotti's creation – after the projector's project and the arraignment – now we continue with “A Canzone appassiunata” (EA Mario – 1922) which includes a tango by Piazzolla, “Maddalena” (Carlo Faiello) there is a jazz song "Michelemmà", transformed into oriental melodies based on the lyrics of an author necunoscut ("The Turks go to rest...").
In one song, there is a little magic of the moment, this is “La Pizzica a Santu Paulo”, where you can create an original and sew tarantella and jazz completes.
This interesting subliniat că o piesă asemeni a milestone stones with this “Voce 'e notte” (Nicolardi-De Curtis) is left intact, but never mind its aspect .
Last song, “Reginella”, this print is the most surprising ever thanks to the symbioses created in a single voice and slowly. This auction has nothing inside it, no voice will be heard, no more will be found in the right place. Aranjamentul este simple, ceea cea ca și pauzele să fie plăcute.
“Muzica este o senzație” – appears in the presentation of Giobbe Covatta, who was added to the final album which was written in accordance with the current syntax. Never mind the idea of a CD/he knows about the important theatrical experience, that is the best aspect if you like.
This is a musical experiment that brings together art, poetry and magic within multimedia ideas. Here, Giosi Cincotti orchestrates music and shows, directed by Marcello D'Orta (writer and author of “I hope that I can manage it”, “God created us for free”, etc.) is in charge of the theatrical production.
Mena Cacciapuoti sings in a pure Neapolitan dialect, with warm ethnic inflections. The natural form in which musicians communicate in the creation of a sound product characterized by the evolution will unite in a group, including soloists: Marco De Tilla – double bass, Michele Maione – percussion, Giosi Cincotti – piano, Marzouk Mejri and Emidio Ausiello – percussion, Pericle Odierna – suflat instrument, Enzo Grimaldi – acodeon. In this first registration, I noted that there were many outboard catapults. All in all, this song is linked to recording voices, with exasperating reverb and delay, like howitzers, so you don't have to, if you want to listen to Neapolitan music.
NEAPOLISYNFABULA
Graf Editions
http://www.myspace.com/neapolisinfabula
Tracklist:
1. Medley: you have reached us (Falcone Fieni - Falvo)
'o Marenariello (Ottaviano - Gambardella)
song Marenara (Donizetti) Luna nova (Di Giacomo - Costa)
2. 'And frangese pushers (Di Giacomo - De Leva)
3. Passionate song (EA Mario)
4. Voice 'and night (Nicolardi - De Curtis)
5. Magdalene (Carlo Faiello)
6. Michelemmà (revised Giosi Cincotti)
7. 'A Vucchella (D'Annunzio – Tosti)
8. Pinch to Santu Paulo (revised Giosi Cincotti)
9. Reginella (Bovio - Lama)
Puteti commands CD-ul de Neapolis in fabulei direct the current link
http://www.edizionigraf.it/schedaneapolisinfabula.htm
Translate from Gabriela Pentelescu
We are created by classical Neapolitan music. We love it, now when “classicism” applies to other “courts”. Curious and fascinated by the title with our friend Fábio, we discovered another idea to review the classic "Neapolitan" songs
“NEAPOLIS IN FABULA” is a CD of “usual” Neapolitan music that you would never expect to hear and is therefore surprising. A path (route-route) between jazz and tradition that passes naturally through the notes of charming fables that redesen the old anti-gas feelings. An essential head, without freshness. In short, the CD is presented as a short vinyl record as if to indicate a continuous relationship between the past and the present. The CD comes as a “medley” that clarifies the logo of the musical intentions. “Uocchie c'arraggiunate” (Falcone, Fieni and Falvo, 1904), “'O marenariello” (Ottaviano-Gambardella, 1893), “Canzone marenara” (Donizetti, 1835), “Luna nova” (Di Giacomo-Costa, 1887). abafado. Afterwards we both sing and double bass in an excellent balance between voice and instruments. The medley is surprising for its simplicity, although it is exaggeratedly jazzy and at the same time it will be something new. Once again, it arouses a feminine voice, well burdened by the song itself, it is never the protagonist, once I breathe the other instruments I always hold it softly in the first place, the conductor of the whole song. The second music is interesting, different from the verses we are used to hearing. A jazz that touches the “trilha” of the Simpsons that accompanies a blues. Starting now, if the spirit of the CD enters, the musicality becomes envolving again. Assim, “a vucchella” by D'annunzio-Tosti mixes with Branca de Neve esperando or prince encantado with “someday my Prince will come”, (music that is inspired by the jazz of Miles Davis so to speak) to transform it into “When you wish upon a star”, (part of the soundtrack from Disney's Pinonocchio) is now playing in “Reginella (Bovio- Lama 1904) again with a less happy ending mixture-if with a tango by Piazzolla, “Maddalena” – the only piece of music that comes from the past - (Carlo Faiello) which turns jazz and “Michelemmà” which gives a Middle Eastern melody accompaniment to a letra (“The Turks don't go to rest…”) (the Turks go there to relax). A music that has a little magic that involves all the work is "Pizzica de Santo Paulo", which creates an original and envolving mixture between tarantella (typical rhythm of the Italian sound) and jazz.
It is peculiar that a milestone like “voce 'e notte” is practically intact, to highlight an almost unrecognizable nature. The last song “Reginella” is one of the most surprisingly graceful symbiosis between voice and piano. None of these prevail. The arrangement is simple and I welcome the breaks. “The music is sensational” states Giobbe Covatta (famous Neapolitan comedian and writer) in his presentation of the album and at the end of watching this album we fully agree with him. The result is a musical writing that passes through a simple recording of music, a music that has art, poetry, and magic in a multimedia idea that is “open” in my laser-engraved image. Giosi was carefully looked after by the music and the arrangements. The theatrical elaboration is by Marcello D'Orta, author of Best Sellers such as “God created us for free” (Deus nos-criou de graça) and “I hope that I get away with it”. (We hope that you know me well). A VOZ DE Mena Cacciapuoti in a Neapolitan "limpo" who has a long pussy and is to emphasize. The musicians include: Marco de Tilla on contrabaixo, 0 Michele Maione, Marzouk Mejrie Emidio Ausiello – percussao, Giosi Cincotti no piano, Pericle Odierna – sopros, Enzo Grimaldi – acordeon and sanfona. The natural urge to touch and communicate leads to the creation of a product that detracts from the band and not simply from great soloists. We enjoyed recording at the Big Stone Studio in Naples with Gigi Borgono (room technician and excellent musician) and listening to two “outboards” as well as the vocal environments without exasperation as unhappily when faced with many Neapolitan music products.
The board
NEAPOLISYNFABULA
Graf Editions
http://www.myspace.com/neapolisinfabula
Tracklist:
1. Medley: uocchie c'araggiunate (Falcone Fieni – Falvo)
'o Marenariello (Ottaviano - Gambardella)
song Marenara (Donizetti) Luna nova (Di Giacomo - Costa)
2. 'E spingole frangese (Di Giacomo – De Leva)
3. Passionate song (EA Mario)
4. Voice 'e notte (Nicolardi – De Curtis)
5. Magdalene (Carlo Faiello)
6. Michelemmà (reworked by Giosi Cincotti)
7. 'A Vucchella (D'Annunzio – Tosti)
8. Pizzica a Santu Paulo (reworked by Giosi Cincotti)
9. Reginella (Bovio – Lama)
To buy the CD “NEAPOLISINFABULA” click no link here below
http://www.edizionigraf.it/schedaneapolisinfabula.htm
We are created by classical Neapolitan music. We love it, now when “classicism” applies to other “courts”. Curious and fascinated by the title with our friend Fábio, we discovered another idea to review the classic "Neapolitan" songs
“NEAPOLIS IN FABULA” is a CD of “usual” Neapolitan music that you would never expect to hear and is therefore surprising. A path (route-route) between jazz and tradition that passes naturally through the notes of charming fables that redesen the old anti-gas feelings. An essential head, without freshness. In short, the CD is presented as a short vinyl record as if to indicate a continuous relationship between the past and the present. The CD comes as a “medley” that clarifies the logo of the musical intentions. "Uocchie you will reach us"(Falcone, Fieni and Falvo, 1904), "'O marenariello" (Ottaviano-Gambardella, 1893), "Marenara song" (Donizetti, 1835), "Luna nova" (Di Giacomo-Costa, 1887). I arrange it on an acoustic piano, slightly turned off. Afterwards we both sing and double bass in an excellent balance between voice and instruments. The medley is surprising for its simplicity, although it is exaggeratedly jazzy and at the same time it will be something new. Once again, it arouses a feminine voice, well burdened by the song itself, it is never the protagonist, once I breathe the other instruments I always hold it softly in the first place, the conductor of the whole song. The second music is interesting, different from the verses we are used to hearing. A jazz that touches the “trilha” of the Simpsons that accompanies a blues. From now on, if the spirit of the CD enters, the musicality becomes revolving. Assim, “a vucchella” by D'Annunzio-Tosti mixed with Branca de Neve esperando o príncipe encantado with “someday my Prince will come”, (music composed of jazz by Miles Davis can only be quoted) to transform it into “When you wish upon a star”, (part of the soundtrack of Disney's Pinonocchio) to chegar em “Little Queen” (Bovio-Lama 1904) today with a less happy ending. The contamination, the mixture created by Giosi Cincotti – responsible for the project and the arrangements – is not to surprise. With a “passionate song” that mixes with a Piazzolla tango, “Maddalena” – the only music that comes from the past - (Carlo Faiello) that turns jazz and “Michelemmà” which describes a Middle Eastern melody accompanying the letra (“The Turks don't go to rest…”) (the Turks go there to relax). A piece of music that has a little magic that involves the whole process “Pizzica de Santo Paulo”, thus creating an original and evolving mixture between tarantella (typical Italian rhythm) and jazz.
It is peculiar that a milestone like “voce 'e notte” is practically intact, to highlight an almost unrecognizable nature. The last song “Reginella” is one of the most surprisingly graceful symbiosis between voice and piano. None of these prevail. The arrangement is simple and I welcome the breaks. “The music is sensational” states Giobbe Covatta (famous Neapolitan comedian and writer) in his presentation of the album and at the end of watching this album we fully agree with him. The result is a musical writing that passes through a simple recording of music, a music that has art, poetry, and magic in a multimedia idea that is “open” in my laser-engraved medium. Giosi Cincotti I am wisely looked after by the music and the arrangements. The theatrical elaboration is by Marcello D'Orta, author of Best Sellers such as “God created us for free” (Deus nos-criou de graça) and “I hope that I get away with it”. (We hope that you know me well). A VOZ DE Mena Cacciapuoti in a Neapolitan “limpo” who has a lot of pussy under his belt and only to emphasize it. The musicians know: Marco de Tilla ao contrabaixo, 0 Michael Maione, Marzouk Mejrie Emidio Ausiello – I played Giosi Cincotti on the piano, Pericles Today – sopros, Enzo Grimaldi – acordeon and sanfona. The natural urge to touch and communicate leads to the creation of a product that detracts from the band and not simply from great soloists. We enjoyed recording at the Big Stone Studio in Naples with Gigi Borgono (room technician and excellent musician) and listening to two “outboards” as well as the vocal environments without exasperation as unhappily when faced with many Neapolitan music products.
The board
NEAPOLISYNFABULA
Graf Editions
http://www.myspace.com/neapolisinfabula
Tracklist:
1. Medley: uocchie c'araggiunate (Falcone Fieni – Falvo)
'o Marenariello (Ottaviano - Gambardella)
song Marenara (Donizetti) Luna nova (Di Giacomo - Costa)
2. 'E spingole frangese (Di Giacomo – De Leva)
3. Passionate song (EA Mario)
4. Voice 'e notte (Nicolardi – De Curtis)
5. Magdalene (Carlo Faiello)
6. Michelemmà (reworked by Giosi Cincotti)
7. 'A Vucchella (D'Annunzio – Tosti)
8. Pizzica a Santu Paulo (reworked by Giosi Cincotti)
9. Reginella (Bovio – Lama)
To buy the CD “NEAPOLISINFABULA” click no link here below
http://www.edizionigraf.it/schedaneapolisinfabula.htm
